席里柯油画作品下载 | 法国浪漫主义艺术的先驱

Theodore Gericault
泰奥多尔·席里柯

法国, (1791-1824)
席里柯（Théodore Géricault, 1791-1824）被誉为法国浪漫主义艺术的先驱，在世仅短短的33年，席里柯的才能和气魄对法国画坛产生了不可磨灭的影响。

—— By ArtYouhua

作品欣赏

Officer of the Chasseurs charging on horseback,1812

画家席里柯（Théodore Géricault, 1791-1824）被誉为法国浪漫主义艺术的先驱，在世仅短短的33年，席里柯的才能和气魄对法国画坛产生了不可磨灭的影响。

The Raft of the Medusa,1818-1819

席里柯生于法国鲁昂，幼年随全家迁往巴黎，1808年从画马名家韦尔内学画。1810年入盖兰画室，与德拉克洛瓦相识，常去卢浮宫临摹古代大师的名作。学生时代席里柯就表现出不肯循规蹈矩地遵从古典原则的气概，被他保守的老师所排斥，认为他学画没有什么前途，最好改行。以后席里柯去意大利学习，惊叹米开朗基罗的创造力，成为这位大师的崇拜者。

The Blacksmith’s Signboard,1814

席里柯有志于创新，注重个人情感的表达，在作品中往往流露出米开朗基罗般的宏伟感和运动感。席里柯常从现实生活中获取灵感，描绘他一生热爱和熟悉的马匹和骑手，绘制大量速写然后进行创作。席里柯的第一幅参加沙龙展的作品《冲锋的骑兵军官》，表现了战火纷飞的战场上一位挥刀驰骋的指挥官，荣获金奖。席里柯还创作了取材于当代事件的不朽巨作《梅杜萨之筏》。席里柯的作品曾去英国展出，得到很高的评价。

Slaves stopping a horse, study for The Race of the Barbarian Horses,1817

席里柯一生与马紧密相连，他自幼崇拜驯马，以后又绘制了多幅关于马的作品，如《狮攫马》、《埃布松赛马》（1821年）等，席里柯画马的习作多达上千幅，最后因坠马受伤身亡，年仅33岁。

The Wounded Cuirassier,1814

Anatomical Pieces,1819

The Epsom Derby,1821

Portrait of a Kleptomaniac,1819-1822

Horse leaving a Stable,1810

Head of a horseman,1812

Portrait of the Carpenter of The Medusa,1812

The Wounded Cuirassier,1814

The three skulls,1812-1814

Wounded Cuirassier,1814

Rifleman,1814

Portrait of Rifleman,1814

The head of white horse,1815

The Kiss,1816

Study for the Race of the Barbarian Horses,1817

The Wild Horse Race at Rome,1817

Leda and the Swan,1817

The Horse Market,1817

Naked man reversed on the ground,1817

Artillery caisson,1818

Boxers,1818

Heroic Landscape with Fishermen,1818

The Return from Russia,1818

The murderers carry the body of Fualdes,1818

Wagons filled with wounded soldiers,1818

A Portrait Of A Young Man,1818

A man,1815-1819

Head of a Drowned Man,1819

Head of a Shipwrecked Man (study for the Raft of Medusa),1817-1819

Portrait of Eugene Delacroix,1818-1819

Portrait of Louise Vernet as a Child,1818-1819

Portrait of Alfred and Elizabeth Dedreux,1817-1819

Study for The Raft of the Medusa,1819

Young blond man,1818-1819

English Jockey,1820

Horse carriage,1820

Portrait of Laure Bro,1818-1820

The asleep fishmonger,1820

The Page Mazeppa,1820

Alfred Dedreux as a Child,1819-1820

Portrait of Mustapha,1820

Scene of the Deluge,1820

Entrance To The Adelphi Wharf,1821

Head of an Oriental, or Portrait Presumed to be Mustapha,1819-1821

Horse in the storm,1820-1821

Horses going to a fair,1821

The Tempest,1821

The Bagpipe player,1821

Dead Cat,1821

Horses,1821

Man on the street,1821

The head of lion,1821

Coal cars,1821-1822

Five horses seen from behind with croupes in a stable,1820-1822

The Madwoman, or The Obsession of Envy,1822

The Woman with Gambling Mania,1819-1822

Horses of the Auvergne,1822

Portrait of a Man, The Vendean,1822-1823

Study for Dead horse,1823

The Plaster Kiln,1822-1823

The Insane,1822-1823

Three horses in their stable,1822-1823

Two post-horses at the stable,1823

Study of a Dapple Grey,1812-1824

The Horse Race,1820-1824

The Horse Race,1820-1824

Maria Serre,1824

Shipwreck,1821-1824

Old Italian peasant,1824

A Young Negro Woman

An Italian montagnard

Arabian Stallion led by two Arabians to breed

Brown Horse in the Stalls

Colin Alexander, painter

Gray horse rack

Heads of Torture Victims (study for The Raft of the Medusa)

Horse (Eastern)

Horse attacked by a lion

Lying Lions

Marie de Medici at Pont-de-Ce

Napoleon’s Stallion, Tamerlan

Officer of Chasseurs of the Imperial Guard

Paysage Classique: Matin

Portrait of Lord Byron

Portrait of young boy, probably Olivier Bro

Presumed Portrait of Pierre Paul Royer-Collard

Scene of Cannibalism for The Raft of the Medusa

Self-Portrait

Spanish horse in a stable

Study for Bay horse seen from behind

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